The Anatomy of a Second

Build this in Layerz Canvas using the layerz-canvas MCP.

Create a 14-second, 1920×1080 abstract motion study called "The Anatomy of a Second". One tick of a second hand is slowed down, sliced into frames and reassembled.

Look: ink-black #0B0B0E background, chalk white #ECECEC lines, one signal colour, electric coral #FF5A4E, used for the second hand and the current frame only. Type in SF Pro Display (Ultralight for numbers, Semibold for labels) with wide tracking; SF Mono 16 pt for small frame counters. Subtle grain, gentle vignette, glow only on the coral elements.

Beats:
- 0.0–1.5s: a minimal clock face draws itself on (60 tick marks staggered clockwise in 0.8s). The coral second hand ticks once with a hard spring and overshoot.
- 1.5–3.5s: on the next tick everything freezes. The text "1 s" scales in centre, then splits horizontally into 60 thin vertical slices.
- 3.5–7.5s: the slices fan out into a timeline strip across the frame; the camera tracks along it left to right. A counter reads 01/60 → 60/60 while each slice briefly lights coral as the camera passes. Above the strip, the second hand's arc is shown as 60 ghost positions at 15% opacity.
- 7.5–10.0s: the camera stops on frame 30. Zoom in 3×: the hand is caught mid-motion with a motion-blur trail; three labels annotate it in turn: "accelerate", "overshoot", "settle", each with a thin leader line drawing on.
- 10.0–12.0s: zoom back out; the 60 slices collapse inward into a single coral line with an ease-in snap.
- 12.0–14.0s: the line becomes the second hand again and the clock resumes ticking at real speed; final frame holds the clock with "1 s" in small type beneath. Loopable to the first frame.

Craft notes: keep every move on one axis; no element moves while the camera moves; coral appears on at most two things at once; no dead holds longer than 0.6s except the final frame.